[A YOUNG MAN WALKS DOWN THE AISLE OF A LARGE COMMERCIAL SUPERMARKET. REACHING THE END OF IT, HE STOPS TO LOOK AT THE YOGHURTS IN THE REFRIGERATED SECTION. THERE ARE SO MANY BRANDS TO CHOOSE FROM. HE SCRATCHES HIS CHIN.] WOMAN: Hello, would you like a caramel? [THE MAN TURNS AROUND TO SEE YOU A
[ORPHANAGE EATING AREA. COLD, STERILE, NO LOVE HERE. OLIVER TWIST TIMIDLY WALKS UP TO A BIG, FAT, GRUMPY OLD MAN AT THE END OF THE ROOM STANDING OVER A BIG POT OF GRUEL.] OLIVER TWIST [HOLDING OUT HIS EMPTY BOWL]: Please sir, can I have some more? CHEF [BOOMING VOICE]: MOOOORE? OLIVER TWIST: Nah, seriously
[Two fluffy white clouds are laying on their backs atop a hill, arms behind their heads, looking up at the clear blue sky. One cloud chews on a long piece of wheat while the other suddenly points upwards.] CLOUD 1: Hey, that cloud looks like a … [Cloud 2 squints. Slowly, a human woman suspended
EXT. LUSH GARDEN – DAY [A YOUNG MAN KNEELS DOWN BEFORE A YOUNG WOMAN IN A BEAUTIFUL GARDEN JUST AS THE SUN HITS THE LEAVES OF THE TREES AND BUTTERFLIES FLUTTER IN GENTLE SWARMS.] AYDEN: Eve, I’ve waited for this day for so long, and I can’t wait any long. [HE TAKES OUT A SMALL
EXT. WHALING SHIP OUT AT SEA – DAY MAN: [VOICEOVER] After 365 days at sea, rations were running low. An eighth of a pint of rum and a pinch of bread had to suffice each morning, at least till we pulled into our next port. But no one could say when that would be. Much of the crew
INT. APARTMENT – NIGHT [PITCH BLACK ROOM.] GIRL (V.O.): Auntie Jan? JAN (V.O.): Oh no! No! No! I sense darkness! Darkness! GIRL (V.O.): Shall I turn the light back on? JAN (V.O.): Yes please. THE END.
[A MAN AND A WOMAN SIT AT AN EMPTY DINNER TABLE.] WOMAN: Look, I’m breaking up with you. I can’t do this anymore. MAN: What isa dis? You tinka you’re jusa gonna run outona me? Who a gonna look after you like I do? Who a gonna provide for you like I do? Whosa a